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nathan daughtrey
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nathan daughtrey
Bio
Works
Composer
• Works Catalog
• Commission Request
• Commissions & Awards
• Discography
• Calendar
• Contact
Performer
• Calendar
• Videos
• Discography
• Articles
• Contact
Publisher
Contact
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Works Catalog Light You Bring, The
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Light You Bring, The

$15.00

The Light You Bring is an intermediate 4-mallet solo for low-A marimba based around a short poem of the same title by Kai Skye:
when you step into the thing you are,
the world does not burn,
but glows more brightly
with the light you bring.

Medium: Solo Marimba (4.3-octave)
Publisher: C. Alan Publications
Composed: 2016
Duration: 5:40
Difficulty: Intermediate

Add To Cart

The Light You Bring is an intermediate 4-mallet solo for low-A marimba based around a short poem of the same title by Kai Skye:
when you step into the thing you are,
the world does not burn,
but glows more brightly
with the light you bring.

Medium: Solo Marimba (4.3-octave)
Publisher: C. Alan Publications
Composed: 2016
Duration: 5:40
Difficulty: Intermediate

The Light You Bring is an intermediate 4-mallet solo for low-A marimba based around a short poem of the same title by Kai Skye:
when you step into the thing you are,
the world does not burn,
but glows more brightly
with the light you bring.

Medium: Solo Marimba (4.3-octave)
Publisher: C. Alan Publications
Composed: 2016
Duration: 5:40
Difficulty: Intermediate

Buy Now

The Light You Bring is an intermediate 4-mallet solo for low-A marimba based around a short poem of the same title by Kai Skye:

when you step in to the thing you are,
the world does not burn, but glows
more brightly with the light you bring.

The thematic material was borrowed from my large percussion ensemble work The Heroes Around Us, which was commissioned by the Mt. Lebanon Percussion Program (PA) in celebration of their 40th anniversary. The piece begins with a sonorous chord progression that encourages the player and listener to breathe deeply in and out. What follows is several presentations of the main “light” theme, which alternates with the “breathing” theme, always inviting the performer to ground themselves before moving forward.

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